From: Monona Rossol <0000030664c37427-dmarc-request**At_Symbol_Here**LISTS.PRINCETON.EDU>
Subject: Re: [DCHAS-L] Musician's union study proposal
Date: Tue, 30 Jun 2020 20:46:34 +0000
Reply-To: Monona Rossol <actsnyc**At_Symbol_Here**CS.COM>
Message-ID: 434110587.453853.1593549994993**At_Symbol_Here**mail.yahoo.com
In-Reply-To


Yaritza,  Re: your daughter.  What she experienced while wearing a mask is called breathing stress.  It is not a serious issue for the healthy ordinary worker but it is why OSHA requires medical certification for respirator wear.  However, being a singer myself, I can assure you, that unless she did months of vocal exercises, warm ups, and practiced her whole program over and over with a mask, there is no way in performance she can make that work.  And she shouldn't try.  

I don't think you would see any change in blood oxygen, but the breathing all has to alter to accommodate that added resistance.

Monona


-----Original Message-----
From: Yaritza Brinker <YBrinker**At_Symbol_Here**FELE.COM>
To: DCHAS-L**At_Symbol_Here**Princeton.EDU
Sent: Tue, Jun 30, 2020 12:29 pm
Subject: Re: [DCHAS-L] Musician's union study proposal

Monona,

In relation to objective 2, you could monitor the performer's blood oxygen. Just yesterday, my daughter did a performance rehearsal where she sang with a mask on. No stage movement, just singing. Not good. She simply couldn't get enough air thru the mask provided.

Thank you,

Yaritza Brinker
260.827.5402

-----Original Message-----
From: ACS Division of Chemical Health and Safety <DCHAS-L**At_Symbol_Here**Princeton.EDU> On Behalf Of DCHAS Membership Chair
Sent: Wednesday, June 24, 2020 3:11 PM
To: DCHAS-L**At_Symbol_Here**Princeton.EDU
Subject: [DCHAS-L] Musician's union study proposal

** External Email **

From: Monona Rossol <actsnyc**At_Symbol_Here**cs.com>
Re: musician's union study proposal
Reply-To: Monona Rossol <actsnyc**At_Symbol_Here**cs.com>

There are some funds and a need for musicians and singers to have information that will guide reopening and performance plans.  The specific objectives of this project are to:

1. Establish the magnitude and variability of aerosol release rates, as a function of particle size, from: regular breathing, heavy breathing, vocalizing across a range of volume and pitch during singing and speaking.

2. Determine the efficacy of active control techniques to prevent human aerosol release (in relation to Objective 1) to include: wearing surgical masks, wearing N95-certified respirators, wearing face shields.

3. Establish the magnitude and variability of aerosol release rates, as a function of particle size, from wind instruments, including flute, clarinet, oboe, bassoon, saxophone, recorder, trumpet, trombone, tuba, euphonium, horn.

4. Determine the efficacy of active control techniques to prevent human aerosol release, to include: adaptation of high-efficiency particulate-air (HEPA) filtering technologies into the mouthpiece, adaptation of external shielding about the air outlets of the instrument. (I am personally skeptical about this objective)

5. Model the efficacy of passive control techniques to prevent exposure to infectious aerosol, to include: social distancing, room ventilation, and human isolation.

I'm assuming we need biomedical engineers, industrial hygienists to do air monitoring for particulates in the range of those known to be associated with transmission of the virus, and other experts.  Anyone interested in such a project or who has suggestions for personnel, please contact:

Monona Rossol
Safety Consultant: Local 802, AF of M
actsnyc**At_Symbol_Here**cs.com

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